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| Exhibition Artists |
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HirokiKAKINUMA
< From the iron tower with love >
Oil, pen on wood panel 162.1x162.1cm |
| profile / works |
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| Booth No. : 724 / 726 |
| Show Dates |
| Wednesday |
January 14, 2015 |
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| Patron Reception |
7pm - 11pm |
| Opening Night Premiere |
8pm - 11pm |
| Thursday |
January 15, 2015 |
11am - 7pm |
| Friday |
January 16, 2015 |
11am - 7pm |
| Saturday |
January 17, 2015 |
11am - 7pm |
| Sunday |
January 18, 2015 |
11am - 5pm |
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Maiko KITAGAWA < Lunar eclipse >
Dermatograph pencil on panel, paper 160.0x240.0cm |
| profile / works |
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Kaori TAMURA < The infinite >
Tempera on panel 180.0x300.0cm |
| profile / works |
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HirokiKAKINUMA
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A Godzilla-like baby monster at the top of the iron tower is roaring. At
the bottom of the tower, another one is looking up and roaring. The artist
drew this employing a special effect, wondering what it would be like if
we could eliminate problems caused by nuclear power plants by reviving
Godzilla born from a hydrogen-bomb. However this is not the artist’s personal
conviction, but just a small thought that it may be nice if this kind of
thing happens. Love is given to contradictions arising from it, special
effects, and incidents that occurred at the tower. |
< From the iron tower with love >
Oil, pen on wood panel 162.1x162.1cm
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< Only if fighting cocks did not cry > Oil, pen on wood panel 80.0x116.0cm
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Two giant fighting cocks descend on a housing complex similar to the one
where the artist grew up, as a motif. This housing complex, a tiny piece
of Tokyo that he knows and no longer exists, is far different from the
glamorous Tokyo that everybody has in their minds. This is his first attempt
at a “Tokyo Complex” (what the artist wants to call it) series to reflect
the sad reality and a sense of loss of his home.
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< Playing card series - Army - >
Oil, tempera on wood panel 36.5x26.0cm
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< Playing card series - Saints - >
Oil, tempera on wood panel 36.5x26.0cm
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< Playing card series - Merchant - >
Oil, tempera on wood panel 36.5x26.0cm
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< Playing card series - Agriculture - >
Oil, tempera on wood panel 36.5x26.0cm
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Maiko KITAGAWA
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< Lunar eclipse > Dermatograph pencil on panel, paper 160.0x240.0cm
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< Kappa >
Dermatograph pencil on panel, paper
91.0x52.0cm
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< The Guild >
Ballpoint pen on paper
21.7x26.7cm
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< Someday Somewhere >
Ballpoint pen on paper
21.7x26.7cm
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< polar night >
Ballpoint pen on paper
21.7x26.7cm
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Japanese Zodiac
The Japanese Zodiac was imported from Ancient China.
There are 12 animals, with one animal allocated to every year.
The sequence of zodiac animals is consistent.
Your can determine your zodiac animal by looking up the animal corresponding
to
the year of your birth. |
| 2014 : Horse 2015 : Seep |
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| Each : Ballpoint pen on paper 22.0x15.5cm |
< mouse >
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< ox >
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< tiger >
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< rabbit >
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< dragon >
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< snake >
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< horse >
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< sheep >
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< monkey >
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< rooster >
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< dog >
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< boar >
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Kaori TAMURA
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< The infinite >Tempera on panel 180.0x300.0cm
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This painting express "Phoenix descended to the earth for genetic modification"
The figure " OOO" which are juxtapose right and left sides of painting are designed to represent the genetic structure of organism. There is also a similar genetic figure in the center of the painting. It is changing from the ordered structure of DNA to strange, because the descent of a phoenix cause genetic recombination
A legendary immortal bird, Phoenix is able to space and time warps. And it exists for changing the future of creature’s life. The tail of the Phoenix in this painting represents space compression such as the black hole |
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< Snow globe >
Tempera on panel 36.5x51.5cm
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